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History Center Prospective Components
New Amsterdam Themes
Themes of the New Amsterdam History Center
The Lower Manhattan location will enhance our ability to attract existing patrons and new patrons. The reason for this enhanced capability is because of the expanded goals of the New Amsterdam History Center as described below.
- Orientation Area (free zone)
Visitors are welcomed here and provided with a menu of the History Center’s program and the offerings of its partner institutions. They may schedule (and purchase) later tours of the Center, other programs, or of the city itself. For many visitors, this will be the only point of contact with the History Center, if they decide not to visit the exhibits within, but they will at least be informed through simple graphic or media displays that "New York begins here."
- Introductory Program (pay zone)
To paraphrase one participant at our December 15 New Amsterdam History Center visioning meeting hosted by the Lower Manhattan Cultural Council, visitors should be introduced to "the most compelling untold story in American history." There are many different options to explore in the media best suited for this program, but some criteria are worth specifying here. It will be experientially rich, that is, visitors will feel as though they personally are embarking on a journey through time. The program will focus primarily on story telling rather than on the presentation of original objects or documents. It will, therefore, employ some innovative interactive media rather than conventional museum displays and seek to implant a number of key thematic and visual ideas that can be reinforced in later experiences that day or subsequently. Since it is emphasizing the early history of Europeans in the New York area, the introduction will also present visitors with a clear chronology. As Russell Shorto’s recent book The Island at the Center of World demonstrates, and Jaap Jacobs 2005 book, "A Dutch Colony in Seventeenth-Century America" confirms, Americans are not at all aware of how New Amsterdam and New York shaped the character of our national life and culture.
Typically, introductory films are designed to play in small, purpose-built theaters. Often these incorporate bits of stagecraft — a 3-D "ship" moves across one side of the room, a doorway opens to reveal another scene within, or lights play on a variety of displayed objects. For group visits, such "fill-and-spill" programs are best, as they get the whole group started at the same time. In some settings, where visitation varies widely through the year, a walk-through media presentation can be more compelling. Visitors would walk through a sequence of media-rich chambers, chapters of the story. This approach avoids giving off-season visitors the sense of sitting alone in a largely empty room, and it allows for a more even pulsing of entrants into the program at busier seasons. During the master planning phase, the History Center will decide between these two alternatives.
The content of the introductory program will likely be based on some version of a "trip back in time." Filming live actors in realistically re-created settings is always a bit tricky, but it is possible to populate historic scenes with the shadowy presence and voices of people from the past. Powerful landscape cinematography — of the Dutch landscape, of the open ocean in a wooden ship, of the astonishingly beautiful valley of the Hudson — will be a real plus in this program.
New technologies will allow individual visitors to wear badges (or even sound-receiving helmets) that have built-in transponders. This enables visitors to pursue personalized pathways through the program. They can be customized to present the story in different languages, or in a manner that caters to the interests and vocabulary of ten-year-olds. Visitors can follow the life-story of individual Dutch, English, Igbo, Canarsee, or Delaware characters through the events of 1609-64. Simulation and role-playing can become part of the script as well, with families making decisions together about their futures in the New Amsterdam colony.
Alternately, visitors could play the role of forensic scientists ("CSI New Amsterdam"), sifting through archaeological and historical evidence, decoding secret documents, and creating computer simulations of various events and places to solve mysteries about the past.
- The Coffeehouse / Tavern / Shop
A Coffeehouse / Tavern will be built right into the middle of the exhibit, offering refreshments but also a chance for families and groups to share their mid-course impressions of the dramatic program they have been experiencing. (The major downside to new personalized guides to museums and historic sites is that they may isolate family members from one another during the course of a tour; by allowing them to regroup midway, this deficiency is overcome.) The Coffeehouse is also an opportunity to create a densely atmospheric sense of 17th-century New Amsterdam. Through the mock-windows of the establishment, the ordinary and extraordinary events of the colony’s life, can be presented on video screens. The Coffeehouse may be leased to a concessionaire.
The Coffeehouse will also contain a small shop, focusing on books, maps, CDs, posters, and other material about early New York history. The shop will be run by the History Center itself, and will provide a significant share of its earned income.
Local residents, eager to make downtown into a 24-7 community, will appreciate the opportunity to use the Coffeehouse as a performance venue after the tourist day is over. Local artists could also be invited to participate in creating installation and interpretive programs designed for visitors.
- Temporary Exhibits (pay zone)
"Featured Soloists: Treasures of the Past"
The Walk Back In Time program will be accompanied by a regularly rotating display of archival documents and objects, which have the power to convince visitors that they are seeing something enormously valuable, irreplaceable, and "real." The power of real objects and well-attested historical documents can scarcely be overestimated. A small number of original pieces, exhibited in a secure, climate-controlled, and flexible space, must also include well-designed interpretive aids (transcriptions, translations, enlargements, opportunities to examine the object’s physical characteristics). This feature also exemplifies the Center’s commitment to collaboration with its institutional and private collecting partners.
Examples could include:
- The charred timbers, swivel deck gun and cannon from Capt. Adrian Block’s 1613 burned ship "The Tiger" recovered during successive 20th-century excavations in lower Manhattan, on deposit at the Museum of the City of New York
- The Beekman kas or kasten, brought to New Amsterdam by a 17th-century Dutch emigrant and used to preserve keepsakes and the family’s cultural identity for eight generations, until its donation to the New-York Historical Society
- The Flushing Remonstrance, a seminal colonial document from the New York State Archives
- Treasures borrowed from libraries and repositories in the Netherlands
Special Topical Exhibits
These will be curated with or by, borrowed, or adapted from outside institutions on the Center’s advising resource committee such as the Albany Institute of History and Art; the American Museum of Natural History; the Collegiate Church Archives; the Dyckman House in Washington Heights; Historic Hudson Valley; the Hudson River Museum; the Manhattan Children’s Museum; the Museum of American Financial History; the Museum of the City of New York; the Museum of Jewish Heritage; the National Museum of the American Indian; the New Jersey Historical Society; the New Netherland Institute; the New Netherland Museum/Half Moon; the New-York Historical Society; the New York Public Library; the New York State Museum and Archives; the South Street Seaport Museum; the Wyckoff and Lott house museums in Brooklyn; and others.
Examples, which are endless, could include:
1) "Childhood in New Amsterdam," to be developed with the Manhattan Children’s Museum
2) "Slavery and the Dutch," to be developed with the Schomburg Center of the New York Public Library and the African Burial Ground project
3) "Dutch Shipbuilding and Navigation in the 17th Century," to be developed with South Street Seaport Museum, Half Moon, and the Zuider Zee Museum
4) Rotating exhibits investigating the lure and profit values of specific commodities that drove global exploration and tensions in the 17th-century — e.g., sugar, salt, timber, cod, spices, animal furs. These would ideally be launched with a special exhibition about the fluctuations of the trade in beaver pelts in colonial New Netherland, developed collaboratively with the American Museum of Natural History.
5) "The Amsterdam Left Behind," exploring the culture, trade, belief systems, and state of "opportunities" in New Amsterdam’s contemporaneous namesake city in Holland, to be developed with the Amsterdam Historical Museum.
6) "The Mystery and Mining of New Amsterdam’s Forgotten Documents," based on Russell Shorto’s discussion of the records-cleansing by the Dutch West India Company in the 1700s; the migrations of surviving documents from early New Netherland settlements to Europe, and eventually back to Albany; the challenges of preserving and decoding them; and what recent translation efforts and new scholarship focused on such records have revealed about the nature of life in New Amsterdam), to be curated by the New Netherland Institute.
7) "New Amsterdam North": 17th-century Fort Orange / Beaverwyck, a show adapted from Charles Gehring’s 2006 exhibition in Albany
8) "Defending New Amsterdam" would explore the erratic efforts to sustain fortifications and various military strategies undertaken to consolidate the colony’s power; to be developed in partnership with Historic Battery Park; Governor’s Island Preservation and Education Corporation; and the National Museum of the American Indian.
9) "Feeding the Colony" would investigate foodways; animal husbandry, breweries; melding of old, new, and native American "cuisines," to be developed in partnership with the Albany Institute of History and Art, with Peter Rose, the leading culinary scholar of Dutch foodways in the New World.
10) "The Evolution of Christmas in New York: How the Dutch Made St. Nicholas into Santa Claus,"to be developed in partnership with the New-York Historical Society.
11) "The $24 Myth," based on the 1999 school-oriented exhibition at the New-York Historical Society, which explored the facts and fantasy surrounding the celebrated purchase of Manhattan in 1626; these exhibit scripts and didactic panels could be recreated.
12) "Testing Tolerance" would investigate the motives and realities of Dutch relationships with New Amsterdam’s dissenting immigrants — Jews, Africans, Native peoples, English pirates and Long Islanders, Swedes, and other players in the New Netherland saga; to be developed in collaboration with the Museum of Jewish Heritage, the NMIA, and the proposed Living Museum to Tolerance/Governor’s Island.
- Programmatic Attractions (grant-supported)
Teaching and Learning Center
The New Amsterdam History Center will make a special effort to accommodate and support the work of elementary and secondary school teachers and students, and other developers of educational programs relating to its Core Themes, across the metropolitan area. The History Center will develop and offer its own field study programs. These will involve an active engagement with the exhibits offered at the History Center, tours of downtown Manhattan, and special programs that involve sister institutions. The excellent educational work of the New Netherland Museum/Half Moon should be a model for this process.
These educational programs should always aim to integrate the on-site visit experience into a curricular program of pre- and post-visit classroom exercises. The visit to the Center will not, therefore, be just a day out of school but a special opportunity to bring the in-school learning experience to life. There should always be an emphasis on learning experiences that are not ordinarily available in the classroom; lecturing and showing slides to children is not a good use of their precious time away from school.
A school visit "workshop" will provide special in-depth learning opportunities for student groups coming to the History Center. It may include hands-on activities like making maps or models of early New Amsterdam, investigating carefully made reproductions of historical documents and artifacts, role-playing historical situations, and gathering ideas, information, and images for classroom-based exercises.
Rather than develop its own curricula per se, the History Center will assist teachers, supervisors, and administrators in creating curricula that adopt historical and community resources (like historic sites and geographical features) for use in their educational programs. Adjoining the student workshop will be a library/laboratory for teachers to use in development and training sessions. The Teacher Center will be stocked with reference materials, computers with access to Websites with valuable resources, and hard-copy examples of successful programs developed by other teachers — all of which can be borrowed or duplicated by participating teachers. The Teacher Center could house programs sponsored by the city’s Education Department, teacher unions, colleges and universities, and community education specialists.
A special commitment will be made to the sister cultural institutions of the History Center. Many area museums and historic sites already have school and family programs that address aspects of New York’s Dutch colonial past. Annually, a delegation drawn from such groups should be invited to show off their programs to teachers at "A Program Slam" at the History Center. Here they can distribute their literature and introduce their sites to people organizing educational programs for adults and children.
The Teaching and Learning Center will also accommodate special programs developed for youth groups like the Girl Scouts and Boy Scouts, for special groups visiting from the Netherlands, and for annual Elderhostel and other lifelong learning courses.
Annual Cycle of Special Public Programs
These would include talks, workshops, family projects, book discussions, and field visits that are of consistently high caliber, seasonally attuned, and rigorously on topic. Suggestions include an annual St. Nicholas Day party for downtown families; a narrated, summer sail on the Half Moon; a Dutch "family genealogy" workshop co-hosted by the Holland Society or New York Genealogical and Biographical Library; fall and winter talks by eminent historians, authors, or filmmakers.
Annual Dutch History Fair
This weekend event, with scholarly papers, popular presentations, performances, and special thematic tours, could be co-sponsored with CUNY’s Gotham Center, the New Netherland Institute, the Holland Society, and the New Netherland Museum / Half Moon.
Mini-archaeology Laboratory
Because the South Street Seaport Museum has shut its archaeology lab for lack of funds to sustain it, a portion of those collections might be transferred on loan to the Center, with a didactic panel exhibit about how modern urban archaeology in lower Manhattan is contributing to our understanding of New Amsterdam. These "shards" from the past could make an interesting, interpretive display within the coffee house setting, too.
Implementation plans for the build-out of the New Amsterdam History Center are underway and expected to be guided by the market and feasibility study. This new venture is independent and separate from another vision for a New Amsterdam related project on Governor's Island.
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